Katharine and E. B. White feed their sheep on their Brooklyn, Maine farm. |
The founding editor was Harold Ross, who originated in Colorado via California and Georgia and finally as editor of the U.S. Army newspaper, Stars and Stripes.
Garrison Keillor today in The Writer's Almanac points to two other people who deserve credit for the magazine's success during the challenging years of the 1930s:
- Raoul Fleischmann, heir to the Fleischmann Yeast empire, who was the magazine's primary backer, loyal to his death despite disagreements with Ross and the magazine's slowness in starting to make money.
- Katharine Sergeant (Kay) Angell White, who helped make the literary side of The New Yorker as successful as its art. She and Ross recruited James Thurber, John O'Hara, and Wolcott Gibbs; and E.B. White, who married Angell in 1929. White said of his wife after she died, in a 1980 interview with Nan Robertson in The New York Times: "I may be biased, but I don't think The New Yorker would have survived if Kay hadn't showed up there."
Comment on Charlotte and Maman:
The heroine of Charlotte's Web is surely modeled on Kay Angell White – they were both beautiful, creative, word-savvy and a Really Good Friend.
With arachnophobia still epidemic, that thought is only for fans of E. B. White, but such fans are legion.
With the New Yorker's birthday and E. B. White's Charlotte in mind, I therefore made sure this morning to get a close-up look at Maman, the 30-foot-high mother spider by Louise Bourgeois outside the Guggenheim Museum Bilbao.
Bourgeois showed her interest in spiders in her drawings as early as the 1940s. She picked up the theme in a big way in the 1990s. Like E. B. White, she sees the mother spider as an intensely caring and protective creature.
In the case of Bourgeois, her tribute is to her own mother, who actually was a weaver. Whereas E. B. White, I think, shows only the gentle side of Charlotte, Bourgeois shows both the vulnerable and the menacing side of the spider.
This is a model of Maman in the museum, for blind people who want to feel the structure. Photos by JT Marlin. |
With arachnophobia still epidemic, that thought is only for fans of E. B. White, but such fans are legion.
This shows the gentle side of Maman, with slender legs and a preoccupation with her babies. |
This shows the menacing side of Maman - the perspective from below. |
In the case of Bourgeois, her tribute is to her own mother, who actually was a weaver. Whereas E. B. White, I think, shows only the gentle side of Charlotte, Bourgeois shows both the vulnerable and the menacing side of the spider.
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